The second alternate angle of the "Ear" scene actually is pretty graphic as it shows the cutting in great detail. Each one is presented in anamorphic widescreen and they run from two and a half to almost five minutes. Aside from the film's theatrical trailer, there are three deleted scenes on the first disc in addition to two alternate angles on the "Ear" scene. And they're even shown in 1.85:1 anamorphic widescreen. Each one is shot in a unique location and is very fun to listen to for fans of the flick. These can be viewed individually or as one featurette that runs for about an hour.
#Reservoir dogs ear scene series#
To sort of make up for that poor commentary track, there is a series of six new interviews with Chris Penn, Kirk Baltz, Michael Madsen, Lawrence Bender, Tim Roth, and Quentin Tarantino. In truth, one of the most interesting things I got out of the commentary was editor Sally Menke talking about the difference between editing on a computer as opposed to the traditional way of splicing film. Quentin reveals some interesting things, but it's not the most exciting track. There are moments where the interviews are tied to a scene that is being shown, but it's non-scene specific for the most part. On the track you'll hear snippets from Quentin Tarantino, producer Lawrence Bender, executive producer Monte Hellman, director of photography Andrezej Sekula, editor Sally Menke, and actors Tim Roth, Chris Penn, Michael Madsen, and Kirk Baltz. The thing that is sad about this is that it is just comprised of pre-recorded interviews. One of the biggest, and most disappointing, extras on disc one is an audio commentary.
#Reservoir dogs ear scene movie#
8 out of 10 The Extras This tenth anniversary edition is a two-disc set with the first disc holding the widescreen version of the movie along with some special features, and the second disc holding a fullscreen edition and the rest of the extras. For a low budget movie, it sounds pretty good. Mr.+Pink+rules With that in mind, the dialog sounds a bit clearer than it did on the original DVD, and there are moments such as the initial scene in the diner where you can hear ambient sounds from your surround. Here are some comparison shots between the original DVD and this new release:Ħ out of 10 The Audio You have your choice of Dolby Digital 5.1 and DTS, but in all honesty it really doesn't make that big of a difference in this movie, as it's mostly dialog. It's really disappointing since this could have been the definitive release of this flick. Overall, all of the colors are very washed out. Previously black suits now look almost gray. This 2.35:1 anamorphic transfer features hardly any compression artifacts or edge enhancement, but the colors are almost non-existent. 9 out of 10 The Video Ahh! My eyes! While the original DVD featured a non-anamorphic transfer, it at least looked better than this. In my opinion, Pulp Fiction is still a bit better, but Reservoir Dogs is still a classic. The dialog is strong, the flashbacks violent, and the movie oozes cool. When something goes wrong, we're guided through the story via perfectly executed flashbacks as the group of thugs tries to figure out which one of them betrayed the group and actually is a police informant. Blonde) who are hired to knock off a jewelry store in Los Angeles. The Movie Reservoir Dogs tells the story of a group of strangers known only by codenames (Mr. It's too bad that the old non-anamorphic transfer looks better than this new one. Now, to celebrate the film's 10th Anniversary, Artisan has put together a two-disc special edition. The original DVD release of Reservoir Dogs has always been a popular disc to own, despite its non-anamorphic transfer and lack of special features. This bloody gangster flick lays down the groundwork for the style that's seen in Pulp Fiction and is a great introduction to Tarantino movies. You can't watch a Quentin Tarantino movie without first seeing Reservoir Dogs.